![jandi sapi jandi sapi](https://www.rebaldoria.com/9050-thickbox_default/anarchia-del-sesso-wyndham-lewis.jpg)
![jandi sapi jandi sapi](https://galleryplus.ebayimg.com/ws/web/301128617150_1_0_1.jpg)
One perches on the tailpiece of the violin, blowing a huge recorder, his little hand at the side of the window/labium area. Some clamber all over an enormous violin and three of them attempt to drag the bow across the strings. A horde of dwarfs tumble down the hillside getting into all sorts of mischief along the way. Website: (2021, col.)īeside a river, a harpsichord seems to have foundered on top of a hill. Bocchi’s bambocciate predate Jonathan Swift’s Gulliver’s Travels, first published in 1726 by which time the artist was already 67 however, he soon learned about the stories of the Lilliputians, several of which he depicted. Many of Bocchi’s works in this peculiar idiom depict the battles, cavalry skirmishes, fights, games, dances, feasts, festivals and triumphs of hordes of dwarfs, hunchbacks, midgets, pygmies and animals. Some resemble the decorative conceits of Giuseppe Arcimboldo (1526/7–1593) others suggest the nightmarish world of Hieronymus Bosch (c. Like his master, Bocchi became a painter of battles and bambocciate, generally seen as humorous or satirical, and often scabrous pieces.
![jandi sapi jandi sapi](https://www.rebaldoria.com/15004-large_default/il-tuono-batte-il-tamburo-john-hewlett.jpg)
Bocchi was a pupil of Angelo Everardi (1647–1678), nicknamed il Fiammenghino for his knowledge of Flemish painting. His studio was a sought-after place for cheerful conversationalists, enlivened by the music of the zither of which he was an accomplished player. He appears to have spent almost his entire life in Brescia where he lived as a sybarite. Recorders in the strange world of Faustino Bocchiįaustino Bocchi (1659–1742) was an Italian artist active in Brescia who specialized in bizarre genre paintings of dwarfs, specifically b ambocciate di nani or arte pigmeo.